This just in! If you are hanging around Austin, TX and the SXSW event, go check this out today and tomorrow!!

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quoted from this site:

Austin's Alamo Drafthouse and New York City's 8bitpeoples, 2 Player productions, and the people behind the Blip Festival have joined forces to create the premiere party during SXSW week, DATAPOP: A Celebration of 8-Bit Music and Culture - March 16th and 17th.

Now in it's third installment, Datapop will transform the Highball into a unique cultural hot-spot featuring sets by 20 international 8-bit artists on a full concert stage with professional light and sound system.

The schedule for Datapop 3.0 is as follows:
(for more info on each artist, click on their name)

Tuesday, March 16th
Visuals by Jean Y. Kim and Omeros
8:00 PM - The Mysterious H
8:45 PM - Sievert
9:30 PM - Nullsleep
10:15 PM - IAYD
11:00 PM - Hally
11:45 PM - Random
12:30 AM - Bit Shifter
1:15 AM - nordloef

Wednesday, March 17th
Visuals by Paris and outpt
8:00 PM - Talk to Animals
8:45 PM - Starscream
9:30 PM - Henry Homesweet
10:15 PM - 8BK-ok
11:00 PM - Sabrepulse vs. Saskrotch
11:45 PM - Je Deviens DJ en 3 Jours
12:35 AM - Anamanaguchi
1:20 AM - Trash80


Before the party, head over to the Alamo Drafthouse on Monday night to check out a free screening of REFORMAT THE PLANET, the documentary on the 8 bit scene.

Admission is free, but be warned, it will get VERY ROWDY AND CROWDED so we recommend getting there early.

Entranced in Seattle, April 3rd

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Once again Monstrous and the chill team from Chillography will be joining forces to update you on new and exciting things in the realm of downtempo music and visuals. Chillography will be attached to the Kinetic showcase at the Pacific Science Center in Seattle, WA. and has invited Monstrous to show off what is new and exciting with Entranced. 

Entranced will have a live demo with party go'ers in their own environment, full of lights, sounds, and all sorts of fantastic science exhibits! There will be four rooms of good times, so if you are in and about Seattle on April 3rd, drop in and say hello!

quote:
Immerse yourself in child-like wonder, as you play amongst the giant robotic dinosaurs, planetarium, tropical butterfly house, and hundreds of other interactive games and exhibits in 4 rooms of music, lights, art and performance, under the Space Needle & Pacific Science Center arches that illuminate the Seattle skyline!

More info can be found at http://www.infiniteconnections.org/

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Entranced 1.2 update details

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Hey everybody, we hope you are enjoying our 1.2 release so far with the updates that we have included. Thank you for being a part of our growing community and all your valuable feedback.

Curious what is inside 1.2?

>> New In Entranced 1.2 <<

 Achievements - We are introducing a new reward system that will allow you to collect and  show off  Achievements as you accomplish various in-game tasks and it is a great way to track your progress in game.

OpenFeint integration - We are very pleased to announce that we have OpenFeint integrated within Entranced now. What is OpenFeint you ask? The OpenFeint website explains it as "Think XBOX Live meets Facebook for the iPhone with hundreds of games and millions of players." This social app that will come built into the game will allow you to connect with friends and other Entranced fans, challenge them, compare scores and achievements, and discover new worlds of games and excitement.

Want to know something even more exciting? Entranced has the honor of being chosen as OpenFeint's Free Game Of The Day on the kickoff day of the Game Developers Conference! We at Monstrous are very pleased with this and we hope that we can capture more folks to become Entranced with our special game play, music, and visuals. Go check it out right here!

As always, thank you for your support! When you have a few moments we would love to hear from you on how we are doing. Be sure to rate us on iTunes and give feedback!

Entranced is FREE!!

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Yes, you heard correct! Today we are kinda highlighting our 1.1 release by offering our beautiful game Entranced for free.

Today and today only, Entranced is Free!

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Please help spread the word and let everyone know. Thank you for your support and we know you will enjoy hours and hours of being Entranced!

Entranced at every age!

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It is always wonderful to see people enjoying their Entranced experience, and to see this young lady enjoying herself makes our work worthwhile. Fun for all ages indeed!

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Entranced 1.1 released

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Monstrous is proud to announce that 
Entranced 1.1
is now available in the Apple iTunes store!

          
            Listen to the rhythm and create beautiful visuals in time to the music! Float through 6 different Songworlds featuring world-renowned musicians: Makyo, Sounds from the Ground, Karsh Kale and Adham Shaikh. We'll release new Songworlds until we hit a total of 10 to complete this delicious world music electronica collection.


>> RAVES AND REVIEWS <<


"Recommend to gamers that want something new for a genre full of same ole same ole." -NintendoGeneration


"I haven't seen graphics like these on the iPhone yet.  
Combined with the trance music, it is really mesmerizing." -CaptainShatner



"Whole family enjoying the game, from an eight year old (scored 92,000 on first try) to grandparents." -Hondera

"Not only are these some of the best graphics in the store...but this game has a very, very high replay value." -Sashicon


Click here to buy the game for $2.99!


>> What's New in Version 1.1: <<


We've released an all new song, "Krishna Raga" by Adham Shaikh!

Krishna Raga is an amazing world groove blend of fusion, dub, world beat, tech house, ambient and jazz. It's one of the most beautiful and trippy songworlds we've created!

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We've also updated, cleaned up, fixed bugs, and all around enhanced the game from the feedback we have received from our players. Thank you and keep the suggestions coming!
 
>> BECOME ENTRANCED <<

Enter the luminous worlds hidden in the sound of music! In these Songworlds, sounds made by different instruments form unique shapes, called Glyphs. Glyphs fly in mesmerizing formations gathering energy from the Songworld.

As each Glyph zooms around the world, the Halo surrounding it gradually collapses, signaling that it's almost time to touch. Touch it during the flash and the Glyph blooms into a beautiful splash of color and energy!

Some Glyphs appear together in Patterns. Touch the Patterns in sequence to release even more energy more and beautiful visuals. 

Tracers are Glyphs that are created from special parts of the music. Watch for Glyphs that have tails like a comet. Tracers add extra challenge, so they give the most energy and blooms of all.

Songworlds can be revisited any time, so take as long as you need to master each one. Be as playful as you want!

>> BEAUTIFUL MUSIC FROM BEAUTIFUL MUSICIANS <<


- "Devadasi" by Makyo
- "Opal" by Adham Shaikh
- "Treasure" by Sounds from the Ground
- "Ashes" by Karsh Kale
- "Loaf" by Sounds from the Ground
- "Krishna Raga" by Adham Shaikh

... stay tuned for the remaining 4 tracks!


>> HELPFUL HINTS <<

Sounds made by different instruments form unique Glyph shapes. Glyphs represent notes from any instrument in a song, not just the rhythm section, so listen well! Use headphones to hear the most subtle sounds. Touch just after the Halo meets the Glyph's edges, when the Glyph expands and flashes in time with the music.

Patterns represent a string of notes from the same instrument, all of the glyphs in that pattern will look and move alike. The first one to enter is the first you tap. It's helpful to watch a Pattern once and listen to figure it out.

Tracers represent long musical events, like smooth vocal melodies. For a Tracer, you touch and keep pressing to follow it across the screen. Each Songworld will generate its own style of Tracer, once you learn the flight path of each, you'll become a master.

As you progress in the Songworld, you'll explore almost all of the different instruments that make up the music and switch from one to another frequently. Keep in mind that some instruments happen between drum beats. Let your mind expand, listen, and watch to follow some of the more subtle sounds.

If you fall behind, just relax and watch for a while, or go after only the Glyphs that seem obvious to you. If you miss a glyph and hit the wrong spot, you'll see a red ring where you touched and lose a bit of energy. No worries!

>> WE WANT TO HEAR FROM YOU! <<

Please check out the game trailer and share your
 feedback, special requests, and good wishes!
  
Game Trailer: http://bit.ly/EntrancedTrailer

Feedback: requests@monstro.us

Help us spread the word:

Join our Facebook fan page
Follow us on Twitter
Write a review on iTunes
Tell your friends!

Jazari - Awesome Robot Percussion

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awesome combination of improvisation performance, rhythm, percussion, and robotics! "One human, three machines, rhythm,"is what is written on the video description, as well as what they are coining the "steamfunk" movement.

quoted from Patrick Flanagan:

There are two modes of performance with Jazari; I call them "performer" and "conductor." In conductor mode, I control high level parameters, such as loudness, phase-shifting, degree of syncopation, and M-Operation. (Doc 02, I'd say that live control over the latter parameters *is* new). In the video, I don't use this mode at all. I do trigger the loops in the cabasa, cowbell, and clave, but that is the only pre-sequenced material.

The rest of the notes-99% of everything played by the Djembe and bongos-are produced in performer mode. In this mode, I control the choice of individual notes-just like a traditional musician. To Feral, I agree with you about the drawbacks of track-based musicians; that's why I improvised almost all of what you heard on a note-to-note basis (I also agree about temporal quantization; a model of expressive timing is on the to-do-list; velocity is already variable).

I'm able to improvise these fast, complex passages because my software interprets holding down a button as a decision to repeat the previous note. That doesn't make playing these things easy exactly-they present their own challenges-but I was able to get to this level with no percussion training and six months of regular practice.

In this project, I trade-off a degree of expressive subtlety for improvisational power (I'm playing two instruments at once throughout). Beyond juggling multiple instruments, the new kinds of idiomatic playing opened up by the controller interface and the possibilities of self-refracting man-machine interaction make the trade-off more than worthwhile.


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if you are in or around the Seattle area in April, this is something you will not want to miss!

Northwest Film Forum, Seattle presents a special Series 

(almost all on film) - 

Visual Music: Sensory Cinema 1920s-70 
APRIL 9-15, 2010

Programs include 3 from CVM, plus others curated by NWFF.

Optical Poetry: Oskar Fischinger Retrospective
Seeing Sound: The Films of Mary Ellen Bute
Jordan Belson: Films Sacred and Profane
Seattle Psychedelics
Sixties Synaesthetics


Open Sound West Event on Feb 16th

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From Berkeley, Cal Dept of Music:


Open Sound West presents:
An Evening of Interactive Electronic Music for guitar and electric guitar, performed by Seth Josel, Feb 16


Seth Josel has become one of the leading instrumental pioneers of his generation. After acquiring his Bachelor of Music degree at the Manhattan School of Music Seth Josel enrolled at Yale University and earned the Master of Music, the Master of Musical Arts and the Doctor of Musical Art degrees. His teachers included Manuel Barrueco and Eliot Fisk. He is recipient of numerous awards and prizes including a Fulbright-Hays grant from the United States government and the Artists Stipend from the Akademie Schloß Solitude, Stuttgart. As ensemble player and soloist he has been involved in the first performances of more than one hundred works. He has collaborated and consulted closely with such composers as Mauricio Kagel, Helmut Lachenmann, Tristan Murail, Phill Niblock and James Tenney. In addition, he has been highly committed to working with several of the leading young composers of our time, including Peter Ablinger, Richard Barrett, Sidney Corbett, Chaya Czernowin, Keeril Makan and Manfred Stahnke, all of whom have written works featuring his talents.

Upcoming film series

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quote:

For Belson fans in San Francisco, his film Mandala (1953) will screen once on Feb. 25 in an Art in Cinema related screening at SF Museum of Modern Art. Scott MacDonald has curated 3 programs at SFMoMA for a mini-series. This is a rarely seen print from CVM's archive, and yes, we're aware this film didn't actually screen at Art in Cinema!

Also in this series, a 35mm print of Fischinger's Komposition in Blau will screen February 11. (Mandala is not listed online but will be by next week).

Read more here!